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From the House
Kundan is one of the oldest jewellery techniques in India: a stone held by a thin band of foil worked around its edge, rather than by claws or adhesive. It is the work that turns up in the pieces families keep and hand down, which is why it still reads as heirloom even in a small pair of earrings.
We set kundan into fabric rather than metal. That keeps the weight off the ear, and keeps the piece in the range where you wear it on a Tuesday instead of storing it for a wedding. The Kundan Fabric Earrings are the plainest reading of it, the Floral Kundan arranges the stones into a flowerhead, and the Chandbali sets a crescent above a row of ghungroo.
All three are made in small runs in Ahmedabad, and all three are lighter than they look, which is the whole argument for doing it this way.
Kundan predates the claw setting by centuries. The technique was refined at the Mughal court, and the principle has not changed since: pure gold is soft enough at room temperature to be worked with hand pressure alone, so a craftsman presses band after band of foil into the gap around a stone until it is locked in place. No heat, no solder, no adhesive. It survived because it works, and it still looks like nothing else because a foil-set stone sits in a bed of reflective metal rather than being gripped from above by claws. We went further into the craft and how to wear it in kundan earrings: the craft, the meaning and how to wear them.
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